Showing posts with label occupy. Show all posts
Showing posts with label occupy. Show all posts

Thursday, September 12, 2013

The Story of a Show: Olmeca in Seattle

Back in August 26th, 2013, the world renowned underground revolutionary artist from LA, Olmeca, touched down in Seattle. He was joined on stage with Sista Hailstorm, Julie C, and Poesia (who also did this flyer artwork to the right) for an intimate show. If you missed it, which you probably did due to that fact that this show was largely overlooked by the Hip Hop community in Seattle, there is video below. But my aim in this narrative is not to guilt you for not coming. Actually, I want to share an important back story to how this event even came about. For me, organizers of the event, and for the author of the narrative below, the beginning of this story started on a rainy night down at Westlake at the dawn of Occupy Seattle, traveled across the imaginary lines we call 'borders' south to Chiapas, the heart of the Zapatista movement, and back up before landing at South Side Commons in Columbia City. I first met Tabs, aka Isolina, one organizer of this event, on one of those early Occupy nights. Actually, the first time I saw her, she was getting arrested by the SPD for sitting on the ground. She became one of the powerful voices advocating the decolonization framework for Occupy, and a big supporter of Hip Hop Occupies to Decolonize early in the game while we were still battling the doubtful for a voice in the movement. I talk a lot about the importance of art and culture in movement, revolution, change. It is, to me, a fundamental aspect of humanity, and thus just as fundamental in inspiring, galvanizing, and organizing the masses, beyond just "a tool of outreach". So I guess, take the story below as a case study, and remember, it's always bigger than Hip Hop. Here it goes, in her words:

"When I reflect back on the journey we took in December 2012, I can hardly believe that was part of my life. It was a shared experience with four other female bodied people. A shared experience, that was potent, eye opening, and an affirmation that our ancestors are with us holding our hands, holding us up, and guiding us through a very tricky world.  We are on a path and we do not know where it will take us.

Much earlier that year a group of folks that had organized a myriad of actions and events, amidst the craziness and hostility that was Occupy Seattle.  That is where it really started.  When our paths crossed and the direction of our lives would move in ways we couldn’t have forseen. We discussed the need for International Solidarity, to share our experience and to listen with an open heart to the experiences of those across imaginary lines, without the misrepresentation of “the media”.  We wanted real stories and we are a group that acknowledges the liberation of all, is through Decolonization.  This was a topic we explored together, most of us people of color, but some of us not. We were learning and searching in our own hearts, and I know this globalized system is not for us, never was, and never will be.

Our intentions grew clear, we sought living examples of autonomy, that were not tendency based. Personally the “autonomy” exercised in the Seattle Anarchist scene was a joke to me. It was just that, a scene, instead of a healthy thriving community. There was no focus on how to build outside of the system, merely romanticizing burning down the system.  Romantic ideas of revolt, but as we know romance can fade.  They so wanted Seattle to be Greece or Spain, but with clouds always hovering close, it’s hard to rile up a crowd here.  
 
For me, it is all about what you do, more than what you say, because talk is very cheap and it is rare to see talk turned into action that benefits the community and not the individual.  Everyone wants to be down with the black n’ brown struggle, but the practice from many tendency’s, is alienating to those from those communities.  I don’t need someone to tell me about my oppression.  I live it, every day, so thanks but no thanks.  That is not helpful to me.  By the way I don’t consider myself an activist and I don’t claim a tendency. I’m just a human being that is after the truth and I want to live a real life, not just survive in a system.  And I’m down to work, that’s why my focus is growing organic localized food, in the city! Food Autonomy, taking government and corporations out of the food system and focusing on community based gardens that exist on every city side strip of grass. Talk about un-seemingly subversive.  Healthy food is a human right, not a commodity.  A body deprived of good nutrition has the side effect of a lack of will, hmmmm interesting. More Prozac please.  

As the months and meetings went on it boiled down to five people going to Chiapas, Mexico. Our intention was to see autonomy as a living, breathing, working way of life. Not just a theory in a book.  We wanted to learn how to incorporate autonomy within the city and within what we do in our communities.  We were able to stay at La Universidad de la Tierra (the university of the earth), an autonomous university open and free to those that want to learn. A university that acquired land through a donation, the school has everything that it needs to be sustainable on the campus. Everything!  And it is all made with beauty. We were welcomed there with open arms and curious looks.  The university works closely with the Zapatista communities and we were humbled to be able to experience and see what we did.  And we were able to do this because of ARMA, a group from L.A. that organizes brigada’s a couple of times a year to Zapatista communities. Our friend Olmeca was crucial to make our journey happen. He prepped us and helped us and without his good words for us, we would have not been able to have gone. For this we were indebted to him and we wanted to hold him up by organizing a hip-hop show in Seattle. We also wanted to meet him, as only one person in our group had met him before.  We put together our humble show, we don’t have a background in organizing music shows, and we wanted it to be accessible monetarily as well as different age groups.  As Julie C put it, it was a potent group of folks that showed up.  We are sure there will be more shows, as Olmeca created a very special and heartfelt show, and he has a lot to share.

Our group is into building lasting relationships and global community,  whether it be on the West Coast of the U.S. or across the imaginary lines called borders.  We are in a time of darkness in humanity and personally I’m interested in the light that will come after, but it will take work, it will take time, and for it to be healthy change, it takes communities and ego-less solidarity.  We do this for the kids, for the elders, for the communities, and for the ancestors guiding us towards a life of dignity, honesty, and respect. Together we Decolonize.
- Isolina"

Footage from the show:



Monday, September 9, 2013

CHURCH! Reportback on the First Edition

What do you get when you throw emcees, beatmakers, and other dope people together in an anarchist coffee shop on a Sunday? CHURCH! Hudson hit me up about a month ago asking if I'd like to host an event at Black Coffee, and I was more than happy to get down. We partnered up with my boy, the highly multi-talented Dax Anderson aka Diogenes and started masterminding the event. But Julie, you may ask, you've never hosted a regular event before, why now? Just cause, ya bish. Actually though, I am really excited about CHURCH! Because of a few reasons...

First, the space & the people: Black Coffee Coop is a unique spot nestled in the corner of Pine and Summit on Capitol Hill.  What's so different about that, you might ask? Many of the folks I know who work, hold events, and frequent Black Coffee I met in the midst of some of the most intense organizing experiences of my life during the Rise and Decolonize events of Hip Hop Occupies' genesis. The environment down there was hectic. We were confronted by bad politics, co-optation attempts, riot police, snitches, the whole nine on the regular, so the true allies that emerged on the ground with us and had our backs those days, I'm down for. Black Coffee is "a non-hierarchical structure of work and a not-for-profit model of commerce."  In creating the Black Coffee Cooperative, the individuals that currently comprise it hope to maintain a space for culture and community, free of oppression, and they are dedicated to embodying the changes we want to see in our world. Another CHURCH! partner who I met under these circumstances was Alyssa and Damian of Seattle Community Media Lab, who consistently and whole-heartedly volunteer their time, equipment, resources, and energy to anyone trying to serve the people. This includes providing sound for events and rallies, providing access to graphic design and printing technology, meeting space in the ID, and whatever else, absolutely free or on a sliding scale donation. Get at them, for real, they're here for you.

But back to some Hip Hop shit. There's a serious lack of accessible space that brings together emcees and beatmakers of all ages on a regular basis on Cap Hill (or anywhere), so we want to help fill that gap, build some community, spotlight under-recognized and/or upcoming artists, galvanize different pockets of the scene that might not be hip to each other, and of course, freestyle. Last night we featured sets from up and coming beakmaker Weasley Snipes and town OG EarDr.umz. Emcee features were J'von and veteran emcee of B-Girl Media, 206 Zulu, and Native Youth Movement Sista Hailstorm. We heard a piece from LOGOS founder, artists, emcee, and community organizer Nikkita Oliver, and we got a spur of the moment report back from a 43rd congressional district something or other that Jamil Suleman had just came back from, who told us, and I fake quote, "After asking my local official about his stance on Syria tonight at the community forum, I can confidently say that Congressman Jim McDermott is an incompotent asshat... if this guy is our 'progressive voice' in Congress, we're Fucked." No surprises there, and all the more reason to build and embrace and embody a culture of community self-determination.

Be sure to join us for the next installment of CHURCH! Sunday, October 13th 7-10pm. We'll be celebrating the birthday of our town familia DJ Zeta Barber with a live beat set, and we've confirmed Dex as one of our emcee features. We've also been toying around with an idea of a local market. You'll be bombarded with full details and dope artwork from Dax when we get the details ironed out. For now, enjoy footage of last night's cypher session below, featuring J'von, Jamil, Nikkita, Araless, & Dex w/ Diogenes & Weasley on the live beats, as well as some flicks from last night. BIG UPS to everyone that came through to support, and if you missed it, we'll see you next time. CHURCH!







Monday, February 27, 2012

What is Hip Hop Leadership?

A writeup on Seattle's conference, and some more thoughts.

It is 2012, the third year of the annual Seattle Hip Hop Leadership Conference. A lot has happened in the world, and Hip Hop has played an undeniable role outside of entertainment news. Hip Hop artists in the Middle East were instrumental in spreading the energy of resistance in The Arab Spring, a youth-lead revolutionary swell of organizing, demonstrations, marches, rallies, and protests, that has shifted the political environment of the world, challenging governments in over a dozen countries in North Africa, completely overthrowing four, and inspiring & reinforcing similar movements across the globe, Occupy being one of them. It’s no surprise that in this context, the US government, as well as governments in Europe have ramped up the usage of Hip Hop in their foreign policy. (AP Photo of protests in Dakar, click "Y'en A Marre & Elections in Senegal" on AfricanHipHop.com to learn more)

Luckily Hip Hop doesn’t belong to any government anymore than it belongs to corporations. Hip Hop belongs to communities, and intrinsic in its cultural and artistic heritage is its drive to challenge, innovate, galvanize, and empower. But different artists, academics, bloggers, organizers, activists, veterans, youth, patrons, and supporters from different circles, industries, elements, subdivisions, businesses, and crews have vastly different perspectives on what their personal relationship to Hip Hop means in the context of culture and community, especially in our cozy corner on the tip of the West Coast. Here lies the strength and challenge of the 2012 Seattle Hip Hop Leadership Conference, which brought together approximately 200 people from all over the city. One question that arose and remains is: Who among us is willing to answer the call for social accountability and collective action, and who is here just to rap?

“Hip Hop: Tool, Toy or Weapon?” was the fitting title of the opening plenary, and it featured a star-studded cast of Jake One, Njuguna of the Physics, Dj Hyphen, General Wojack, Moorpheus Magnetic, Redskin, Larry Mizell, Toyia Taylor, Emilio, & DJ Infared. Due to a delayed start, we didn’t get much farther than introductions, but hearing such a diverse group speak on how Hip Hop has evolved and their story with it is always enlightening and highly relatable. The role of Hip Hop in personal identity development was a recurring theme. A highlight was Toyia, who emphasized the power of Hip Hop in connecting to young people and the nature of it to “encourage the evolution of every single generation.” Kawan of Sweatshopfreelife captured this footage of the panel.This sentiment was an apt transition to the next session I hit up.

“Hip Hop & the Art of Critical Pedagogy” was a smaller workgroup featuring Jose “DJ Luvva J”, Third Andresen, Cochise “Chief” Moore, Stephany Koch Hazelrigg, Max Hunter, Wyking, and several students from UW and SCCC. The dialogue explored Hip Hop as a collective approach to education, community building, social change, and personal transformation. At the same time, Rahwa of Hidmo did a presentation called "Hip Hop World Order." Thanks Sweatshopfreelife for capturing this footage of the workshop. There are three parts.

At lunchtime, Emily of Food Not Bombs and Kawan surprised attendees, coming through with delicious hot vegetarian cuisine. People continued to arrive and break bread while a number of artists took to the open mic, including J. Infinite of Umojafest P.E.A.C.E Center, and an excellent emcee duo from the Bay, The MasterS, who were in town on tour.

Energy from the lunchtime cipher flowed into the Hip Hop Occupies panel at 1:30. Featuring Maria Guillen, Gregory Lewis, Tabitha Milan, Anelise S., Henry Luke, and Matt E., the panel touched on the power of arts and culture in revolutions, the decolonization framework emerging from Occupy, movement work vs. career activism, the role Hip Hop has played thus far in the movement, and where it is going.

After my session, I slipped late into “Art vs. Commerce”, facilitated by Sam Chesneau (and later Luvva J). This firey exchange was carried by DJ Topspin, Suntonio Bandanaz, Vitamin D, The Goodsin, Dox, David Pomeranz, E-Dawg, OC Notes, and many more. When I came in, the conversation was focused on the moral dilemmas people do or don’t/should or shouldn’t face commodifying art, the work ethic and integrity of artists, and the local industry. From there, it traveled to corporate dominance over local arts and entertainment markets, and whether or not collective action can or should be taken by the community to reclaim them. A lot of the fire of this discussion carried over to the closing plenary of the conference.

So how did we do on our mission this year? David Pomeranz, of Members Only said, "There is a community within hip hop that cares, but also a community with lack of leadership. When I go to conferences like this (which I do often) I like to walk away with tools to do what I want to do (in this case lead)." Njuguna of the Physics reflected, "The Northwest Hip Hop Leadership was an amazing event and a truly inspiring experience. I'm confident that we all came away from the event entertained, energized, and enriched. I especially appreciate the emphasis we placed on building relationships and continuing the conversations we started after the conference so that we can create results that will benefit Northwest Hip-Hop as a whole." Wyking, organizer of the conference wrote, "The essence of Hip Hop provides a model for self-determination and community building in the face of extreme adversity. Our goal now with the Umojafest P.E.A.C.E. Center is to build a sustainable model in Seattle based on the positive values of Hip Hop culture."

To bring it back around to the global movement, Pioneering Kenyan Hip LinkHop artist Kamau Ngigi, currently in Seattle, emphasized Hip Hop's universal language, saying, "Coming from Kenya, I find no culture shock as long as I link up with people in Hip Hop because we are all in the same mind set all over the world. When it comes to Hip Hop, you are never alienated." But he also made some critical observations on the difference in radical energies of the US and Africa. "Hip Hop in Africa is able to express itself freely. It is not radicalized [in the US] fully because of the corporations which put money on valueless rappers and coin it as Hip Hop. Society is confused about what Hip Hop stands for in America." Seattle, are we part of the confusion or the solution?