Showing posts with label Seattle. Show all posts
Showing posts with label Seattle. Show all posts

Thursday, September 12, 2013

The Story of a Show: Olmeca in Seattle

Back in August 26th, 2013, the world renowned underground revolutionary artist from LA, Olmeca, touched down in Seattle. He was joined on stage with Sista Hailstorm, Julie C, and Poesia (who also did this flyer artwork to the right) for an intimate show. If you missed it, which you probably did due to that fact that this show was largely overlooked by the Hip Hop community in Seattle, there is video below. But my aim in this narrative is not to guilt you for not coming. Actually, I want to share an important back story to how this event even came about. For me, organizers of the event, and for the author of the narrative below, the beginning of this story started on a rainy night down at Westlake at the dawn of Occupy Seattle, traveled across the imaginary lines we call 'borders' south to Chiapas, the heart of the Zapatista movement, and back up before landing at South Side Commons in Columbia City. I first met Tabs, aka Isolina, one organizer of this event, on one of those early Occupy nights. Actually, the first time I saw her, she was getting arrested by the SPD for sitting on the ground. She became one of the powerful voices advocating the decolonization framework for Occupy, and a big supporter of Hip Hop Occupies to Decolonize early in the game while we were still battling the doubtful for a voice in the movement. I talk a lot about the importance of art and culture in movement, revolution, change. It is, to me, a fundamental aspect of humanity, and thus just as fundamental in inspiring, galvanizing, and organizing the masses, beyond just "a tool of outreach". So I guess, take the story below as a case study, and remember, it's always bigger than Hip Hop. Here it goes, in her words:

"When I reflect back on the journey we took in December 2012, I can hardly believe that was part of my life. It was a shared experience with four other female bodied people. A shared experience, that was potent, eye opening, and an affirmation that our ancestors are with us holding our hands, holding us up, and guiding us through a very tricky world.  We are on a path and we do not know where it will take us.

Much earlier that year a group of folks that had organized a myriad of actions and events, amidst the craziness and hostility that was Occupy Seattle.  That is where it really started.  When our paths crossed and the direction of our lives would move in ways we couldn’t have forseen. We discussed the need for International Solidarity, to share our experience and to listen with an open heart to the experiences of those across imaginary lines, without the misrepresentation of “the media”.  We wanted real stories and we are a group that acknowledges the liberation of all, is through Decolonization.  This was a topic we explored together, most of us people of color, but some of us not. We were learning and searching in our own hearts, and I know this globalized system is not for us, never was, and never will be.

Our intentions grew clear, we sought living examples of autonomy, that were not tendency based. Personally the “autonomy” exercised in the Seattle Anarchist scene was a joke to me. It was just that, a scene, instead of a healthy thriving community. There was no focus on how to build outside of the system, merely romanticizing burning down the system.  Romantic ideas of revolt, but as we know romance can fade.  They so wanted Seattle to be Greece or Spain, but with clouds always hovering close, it’s hard to rile up a crowd here.  
 
For me, it is all about what you do, more than what you say, because talk is very cheap and it is rare to see talk turned into action that benefits the community and not the individual.  Everyone wants to be down with the black n’ brown struggle, but the practice from many tendency’s, is alienating to those from those communities.  I don’t need someone to tell me about my oppression.  I live it, every day, so thanks but no thanks.  That is not helpful to me.  By the way I don’t consider myself an activist and I don’t claim a tendency. I’m just a human being that is after the truth and I want to live a real life, not just survive in a system.  And I’m down to work, that’s why my focus is growing organic localized food, in the city! Food Autonomy, taking government and corporations out of the food system and focusing on community based gardens that exist on every city side strip of grass. Talk about un-seemingly subversive.  Healthy food is a human right, not a commodity.  A body deprived of good nutrition has the side effect of a lack of will, hmmmm interesting. More Prozac please.  

As the months and meetings went on it boiled down to five people going to Chiapas, Mexico. Our intention was to see autonomy as a living, breathing, working way of life. Not just a theory in a book.  We wanted to learn how to incorporate autonomy within the city and within what we do in our communities.  We were able to stay at La Universidad de la Tierra (the university of the earth), an autonomous university open and free to those that want to learn. A university that acquired land through a donation, the school has everything that it needs to be sustainable on the campus. Everything!  And it is all made with beauty. We were welcomed there with open arms and curious looks.  The university works closely with the Zapatista communities and we were humbled to be able to experience and see what we did.  And we were able to do this because of ARMA, a group from L.A. that organizes brigada’s a couple of times a year to Zapatista communities. Our friend Olmeca was crucial to make our journey happen. He prepped us and helped us and without his good words for us, we would have not been able to have gone. For this we were indebted to him and we wanted to hold him up by organizing a hip-hop show in Seattle. We also wanted to meet him, as only one person in our group had met him before.  We put together our humble show, we don’t have a background in organizing music shows, and we wanted it to be accessible monetarily as well as different age groups.  As Julie C put it, it was a potent group of folks that showed up.  We are sure there will be more shows, as Olmeca created a very special and heartfelt show, and he has a lot to share.

Our group is into building lasting relationships and global community,  whether it be on the West Coast of the U.S. or across the imaginary lines called borders.  We are in a time of darkness in humanity and personally I’m interested in the light that will come after, but it will take work, it will take time, and for it to be healthy change, it takes communities and ego-less solidarity.  We do this for the kids, for the elders, for the communities, and for the ancestors guiding us towards a life of dignity, honesty, and respect. Together we Decolonize.
- Isolina"

Footage from the show:



Monday, September 9, 2013

CHURCH! Reportback on the First Edition

What do you get when you throw emcees, beatmakers, and other dope people together in an anarchist coffee shop on a Sunday? CHURCH! Hudson hit me up about a month ago asking if I'd like to host an event at Black Coffee, and I was more than happy to get down. We partnered up with my boy, the highly multi-talented Dax Anderson aka Diogenes and started masterminding the event. But Julie, you may ask, you've never hosted a regular event before, why now? Just cause, ya bish. Actually though, I am really excited about CHURCH! Because of a few reasons...

First, the space & the people: Black Coffee Coop is a unique spot nestled in the corner of Pine and Summit on Capitol Hill.  What's so different about that, you might ask? Many of the folks I know who work, hold events, and frequent Black Coffee I met in the midst of some of the most intense organizing experiences of my life during the Rise and Decolonize events of Hip Hop Occupies' genesis. The environment down there was hectic. We were confronted by bad politics, co-optation attempts, riot police, snitches, the whole nine on the regular, so the true allies that emerged on the ground with us and had our backs those days, I'm down for. Black Coffee is "a non-hierarchical structure of work and a not-for-profit model of commerce."  In creating the Black Coffee Cooperative, the individuals that currently comprise it hope to maintain a space for culture and community, free of oppression, and they are dedicated to embodying the changes we want to see in our world. Another CHURCH! partner who I met under these circumstances was Alyssa and Damian of Seattle Community Media Lab, who consistently and whole-heartedly volunteer their time, equipment, resources, and energy to anyone trying to serve the people. This includes providing sound for events and rallies, providing access to graphic design and printing technology, meeting space in the ID, and whatever else, absolutely free or on a sliding scale donation. Get at them, for real, they're here for you.

But back to some Hip Hop shit. There's a serious lack of accessible space that brings together emcees and beatmakers of all ages on a regular basis on Cap Hill (or anywhere), so we want to help fill that gap, build some community, spotlight under-recognized and/or upcoming artists, galvanize different pockets of the scene that might not be hip to each other, and of course, freestyle. Last night we featured sets from up and coming beakmaker Weasley Snipes and town OG EarDr.umz. Emcee features were J'von and veteran emcee of B-Girl Media, 206 Zulu, and Native Youth Movement Sista Hailstorm. We heard a piece from LOGOS founder, artists, emcee, and community organizer Nikkita Oliver, and we got a spur of the moment report back from a 43rd congressional district something or other that Jamil Suleman had just came back from, who told us, and I fake quote, "After asking my local official about his stance on Syria tonight at the community forum, I can confidently say that Congressman Jim McDermott is an incompotent asshat... if this guy is our 'progressive voice' in Congress, we're Fucked." No surprises there, and all the more reason to build and embrace and embody a culture of community self-determination.

Be sure to join us for the next installment of CHURCH! Sunday, October 13th 7-10pm. We'll be celebrating the birthday of our town familia DJ Zeta Barber with a live beat set, and we've confirmed Dex as one of our emcee features. We've also been toying around with an idea of a local market. You'll be bombarded with full details and dope artwork from Dax when we get the details ironed out. For now, enjoy footage of last night's cypher session below, featuring J'von, Jamil, Nikkita, Araless, & Dex w/ Diogenes & Weasley on the live beats, as well as some flicks from last night. BIG UPS to everyone that came through to support, and if you missed it, we'll see you next time. CHURCH!







Monday, February 27, 2012

What is Hip Hop Leadership?

A writeup on Seattle's conference, and some more thoughts.

It is 2012, the third year of the annual Seattle Hip Hop Leadership Conference. A lot has happened in the world, and Hip Hop has played an undeniable role outside of entertainment news. Hip Hop artists in the Middle East were instrumental in spreading the energy of resistance in The Arab Spring, a youth-lead revolutionary swell of organizing, demonstrations, marches, rallies, and protests, that has shifted the political environment of the world, challenging governments in over a dozen countries in North Africa, completely overthrowing four, and inspiring & reinforcing similar movements across the globe, Occupy being one of them. It’s no surprise that in this context, the US government, as well as governments in Europe have ramped up the usage of Hip Hop in their foreign policy. (AP Photo of protests in Dakar, click "Y'en A Marre & Elections in Senegal" on AfricanHipHop.com to learn more)

Luckily Hip Hop doesn’t belong to any government anymore than it belongs to corporations. Hip Hop belongs to communities, and intrinsic in its cultural and artistic heritage is its drive to challenge, innovate, galvanize, and empower. But different artists, academics, bloggers, organizers, activists, veterans, youth, patrons, and supporters from different circles, industries, elements, subdivisions, businesses, and crews have vastly different perspectives on what their personal relationship to Hip Hop means in the context of culture and community, especially in our cozy corner on the tip of the West Coast. Here lies the strength and challenge of the 2012 Seattle Hip Hop Leadership Conference, which brought together approximately 200 people from all over the city. One question that arose and remains is: Who among us is willing to answer the call for social accountability and collective action, and who is here just to rap?

“Hip Hop: Tool, Toy or Weapon?” was the fitting title of the opening plenary, and it featured a star-studded cast of Jake One, Njuguna of the Physics, Dj Hyphen, General Wojack, Moorpheus Magnetic, Redskin, Larry Mizell, Toyia Taylor, Emilio, & DJ Infared. Due to a delayed start, we didn’t get much farther than introductions, but hearing such a diverse group speak on how Hip Hop has evolved and their story with it is always enlightening and highly relatable. The role of Hip Hop in personal identity development was a recurring theme. A highlight was Toyia, who emphasized the power of Hip Hop in connecting to young people and the nature of it to “encourage the evolution of every single generation.” Kawan of Sweatshopfreelife captured this footage of the panel.This sentiment was an apt transition to the next session I hit up.

“Hip Hop & the Art of Critical Pedagogy” was a smaller workgroup featuring Jose “DJ Luvva J”, Third Andresen, Cochise “Chief” Moore, Stephany Koch Hazelrigg, Max Hunter, Wyking, and several students from UW and SCCC. The dialogue explored Hip Hop as a collective approach to education, community building, social change, and personal transformation. At the same time, Rahwa of Hidmo did a presentation called "Hip Hop World Order." Thanks Sweatshopfreelife for capturing this footage of the workshop. There are three parts.

At lunchtime, Emily of Food Not Bombs and Kawan surprised attendees, coming through with delicious hot vegetarian cuisine. People continued to arrive and break bread while a number of artists took to the open mic, including J. Infinite of Umojafest P.E.A.C.E Center, and an excellent emcee duo from the Bay, The MasterS, who were in town on tour.

Energy from the lunchtime cipher flowed into the Hip Hop Occupies panel at 1:30. Featuring Maria Guillen, Gregory Lewis, Tabitha Milan, Anelise S., Henry Luke, and Matt E., the panel touched on the power of arts and culture in revolutions, the decolonization framework emerging from Occupy, movement work vs. career activism, the role Hip Hop has played thus far in the movement, and where it is going.

After my session, I slipped late into “Art vs. Commerce”, facilitated by Sam Chesneau (and later Luvva J). This firey exchange was carried by DJ Topspin, Suntonio Bandanaz, Vitamin D, The Goodsin, Dox, David Pomeranz, E-Dawg, OC Notes, and many more. When I came in, the conversation was focused on the moral dilemmas people do or don’t/should or shouldn’t face commodifying art, the work ethic and integrity of artists, and the local industry. From there, it traveled to corporate dominance over local arts and entertainment markets, and whether or not collective action can or should be taken by the community to reclaim them. A lot of the fire of this discussion carried over to the closing plenary of the conference.

So how did we do on our mission this year? David Pomeranz, of Members Only said, "There is a community within hip hop that cares, but also a community with lack of leadership. When I go to conferences like this (which I do often) I like to walk away with tools to do what I want to do (in this case lead)." Njuguna of the Physics reflected, "The Northwest Hip Hop Leadership was an amazing event and a truly inspiring experience. I'm confident that we all came away from the event entertained, energized, and enriched. I especially appreciate the emphasis we placed on building relationships and continuing the conversations we started after the conference so that we can create results that will benefit Northwest Hip-Hop as a whole." Wyking, organizer of the conference wrote, "The essence of Hip Hop provides a model for self-determination and community building in the face of extreme adversity. Our goal now with the Umojafest P.E.A.C.E. Center is to build a sustainable model in Seattle based on the positive values of Hip Hop culture."

To bring it back around to the global movement, Pioneering Kenyan Hip LinkHop artist Kamau Ngigi, currently in Seattle, emphasized Hip Hop's universal language, saying, "Coming from Kenya, I find no culture shock as long as I link up with people in Hip Hop because we are all in the same mind set all over the world. When it comes to Hip Hop, you are never alienated." But he also made some critical observations on the difference in radical energies of the US and Africa. "Hip Hop in Africa is able to express itself freely. It is not radicalized [in the US] fully because of the corporations which put money on valueless rappers and coin it as Hip Hop. Society is confused about what Hip Hop stands for in America." Seattle, are we part of the confusion or the solution?

Wednesday, February 2, 2011

Jan Recap- All City Jump Off, Hip Hop Period/Kitchen, and More!


Happy Lunar New Year of the Rabbit. If the remainder of 2011 goes how January went, moves are bout to be made! Since I've been in the lab brewing up some new projects for your listening pleasure...(expect in the next few months the brand new JulieC E.P, a new Knox Family project, and the extra new Murder She Wrote featuring myself, Sista Hailstorm, and DJ BGirl), I thought it a good time to reach out, reconnect, and give a shout to all the folks that make Seattle Hip Hop what it is!

Lemme start off my recap showing love to my fam, Greg and Jerome, for allowing me to rock with them at Faire Gallery on the 10th. This small, intimate joint was a going away show for a comic, but it was also my first performance of the New Year, and my first time rocking at Faire. Prior to my young 24 bar feature, I was able to check a duo from Everett's Black Magic Noize, for the first time too. Dope cats, definitely worth a listen.

Later that week, on the 14th was Hip Hop Period: The ReRival at Wapifasa, organized by the young n fresh emcee Dakota. I first met Dakota while teaching Urban Debate a few years ago at Langston Hughes Cultural Arts Center, and it's been a pleasure watching this cat blossom. Since I missed Wapi's open house, this was my first time checking out the youth organization's new digs in Columbia City and the spot is dope! The show, hosted by Gabriel Teodros, featured Rogue Pinay, ArtofVerse, Language Arts, JRain, and Los Tainos, which is a new group consisting of mi familia Mic Flont and Khingz. Shouts to Suntonio Bandanaz, Dox, Sista Hailstorm, and Korvus Blackbird for rocking with me that night. Also, big ups to Wish Curtis of Emerald Roots, Otis from Streetfights the Hip Hop Show, Cecily Madanes, and Nathan Meernik for holding down the media that night! You can check out photos from this show by Teodoro here! Be on the look out for more events coming from the WAPI youth real soon, and if you know a young person who could use some plugs, do urge them to advantage of some of the programs and services Wapi offers in the community.

On the 27th, was Hip Hop Kitchen, an invite-only networking/bread-breaking dinner party, hip hop style, hosted at the home of my girl Cassandra William, along with the ill emcee and amazing cook Dice (check her new video with Willie Joe here) and her manager K_Adele. These women, with the help of Tishauna, were throwing down some Thai in the kitchen like I've never seen done, while Cass was screening throwback War of the Words footage from years ago. It was dope connecting live with Boss Lady Jazz, Boom Box, MicPhenom, Five Flat, Tamiko from Triple R, Casey Carter, Gene Dexter, OutrageousI5, Mrdutch, RyanonaMission, Kitty Wu & Georgio Brown from Coolout Network and everyone else I may have left out. I can't wait for the next installment of this event. Good shit. Be sure to check out Seattle Soul on Blast February 19th at Chop Suey to see Dice, Choklate, Darrius Willrich, JusMoni, Zach Bruce, and more. Just to wet your whistle, here's some footage of a Hip Hop Kitchen Cypher, featuring some of the artists just mentioned (Thank you, Triple R for this!)

And FINALLY, this brings us to All City Jump Off that went down Friday, the 28th at Lofi, organized by my brother Zechariah tha Barber of AllCityChop. The AllCityChop series, part of the Barber's multifaceted BUMP LOCAL campaign, features a wide variety of Northwest artists from all corners of the Hip Hop scene, chopped n screw'd. Hosted by the charismatic and talented Lady Scribe, this show was the ILLEST I have ever seen and had the privilege to rock at Lofi. The talent was beyond palpable. The stage was shared by artists featured on 3.0 and 3.5 All City Chop mixtapes, including Luke Rain, Language Arts, Delton Son, Beloved1, Piece, Lady Tasz, Black Stax, KingDRO, Ditta Mac, Larue, Tyrone, Saturday Morning Cartoon (wanna hear a secret SMC featuring Julie C track? Click here), Helladope, Metal Chocolates (OC Notes & Rick Rude), Meez, Dougie, and G-Red. The Alpha Platoon segment of the night featured my crew's own Haj, Inkbiz, Knox Family(myself, Julie C & Jerm D), and Suntonio Bandanaz, not to mention DJ's SeaBefore, DJ Khunex, Nim Almighty, and Austin Lee. Check some footage of Black Stax rocking this night right here, posted by Lady Flava. If by now, you haven't opened www.AllCityChop.com in a new window and began your free download of the mixtape, STOP DRAGGING.

So with that, I'ma wrap this summary up with a few thoughts. Well wishes and rapid recovery to the founder of the game, Kool Herc. Check this article called "Kool Herc, Hip Hop, Healthcare, and Humanity" by Shamako Noble, for more thoughts on this issue and how it relates to our day to day. Finally, peace to all the brave men and women who have been holding it down on the streets of Egypt this month. We stand in solidarity with the global resistance. ONE LOVE.

Monday, May 18, 2009

A Broken Network Can’t Pull it Together: Why our Youth are Killing Each Other

Hip Hop, if we’re serious about saving young lives, it will take more than a superficial “Stop the Violence” campaign. On a policy level, the fragmented approach to serving vulnerable youth is wrong. While cities and law enforcement, states, and school districts collaborate in the identification, tracking, and targeting of these youth (through free lunch programs, test scores, and gang databases), they have shown a consistent unwillingness to apply the same collaborative efforts toward providing real solutions. We cannot tell the youth “Stop the Violence,” while relying on these agencies to help and heal them, especially not while they are closing our schools, mismanaging our youth service funding, and building a new jail.

“They don’t care about kids of color; they don’t care about poor kids. They don’t care about anyone who’s different than somebody who makes $75,000 or more a year.” These were the words of NAACP Seattle President James Bible after being removed from a Seattle School District school closure hearing. View the rest of his impromptu speech on the video here. Mr. Bible’s frustration was shared by a packed room of others who challenged the sincerity and secrecy of Seattle’s recent school closure process in the midst of last year’s youth violence spike. While the district bureaucratically steered clear of accountability on the issue (they maintain they are separate from the police department and the city of Seattle), they also emphasized that the closure plan was developed based on feedback from the community.

It seems that the district either has an irresponsible disconnection from reality, or other interests to satisfy. We know that that the scores of wealthy white parents who fought against the closure of their schools had a hand in the outcome. But what about the Gates Foundation, who after postponing the renewal of grants to the district for 3.5 years, finally awarded 7.5 million after the closures were announced? This money, which could have kept the schools open and programs running at least for a while, will go to more ability tracking and testing.

Now let’s talk about the Mayor’s Youth Violence Prevention Initiative, which has also been shrouded in secrecy. The initiative allocates money to select NGOs to contract out services for youth without oversight or any specified benchmarks for tracking success. This approach is justified by a flimsy report of four model programs, but a brief inspection shows the data to be riddled with incomplete or inaccurate information. To top it off, the city has tasked the Urban League, little known for any actual work in the community, with helping to solidify its “network,” while keeping community leaders who are effectively active in the work out of the discussion. Ironically, the most critical network for violence prevention, one that places the school district, the city and law enforcement in a collective state of accountability for the safety for our children, is absent.

Unfortunately this disconnection is a convenience that youth don’t have. When the schools fail them from 9:00-3:00, and the youth initiative fails them from 3:00 to 10:00, the only thing that won’t fail is the new jail. The city is putting $110 million up for this project, plus committing another $15 mil a year for operation, which is quite an investment. Perhaps they are banking on their failure to our youth?

Whatever the case may be, it is time for us as Hip Hop artists, media producers, educators, and activists to step up, beyond the superficial message of “Stop the Violence.” We must unite, collectivize our skill sets and resources, and create an alternative solution: the seamless network, rooted in culture and community that our young people need to survive.

Thursday, March 5, 2009

Seattle Hip Hop Community Tackles Tough Issues at NW Hip Hop Leadership Conference

"Approximately 200 people came out from across the greater Seattle Area to participate in the 1st Seattle/NW Hip-Hop Leadership Council on Saturday February 28th at Seattle Central Community College," wrote Wyking, co-convener of the event, "presented by the Seattle Hip-Hop Summit Youth Council, Bush School Diversity Speaker Series, UmojaFest P.E.A.C.E. Center and Seattle Central Community College Black Student Union, the conference provided a wealth of information beginning with history and socio-cultural analysis related to the hip-hop generation." Okay, so I was only able to attend one part of one panel, but I still gotcha covered. Here are the highlights I was able to collect from the comrades. Shouts out to Suntonio Bandanaz, Rajnii Eddins, and Toni Hill for helping me piece this together. Also, be sure to check out the rest of Wyking's write-up as well. If you missed this one, don't worry. We're about to set it off at the 2009 Hip Hop Congress National Conference in Seattle, Washington with Dope Emporium, Umojafest, Hidmo, 206 Zulu and more July 29th-August 2nd! More to come.


The Hip Hop 101 presentation was led by Silver Shadow D, Rajnii Eddins, and Suntonio Bandanaz.The 206 Hip Hop vets opened the discourse with a mini open mic of sorts, with participation from one young man and two sisters in the crowd. The discussion then moved to the basics: roots of hip hop culture and violence prevention, and Universal Zulu Nation, the inception of the music industry, and the progression of the movement behind the culture. Naturally, the dialogue progressed to the domination of the corporate industry, its role in undermining the political aspects of the Hip Hop movement, and connection of such interests to Cointelpro through entities like Interscope Records and more. “We went from Fight the Power to Reclaim the Media, basically,” said Bandanaz, “to return to the founding principles within culture’s art forms.” Suntonio Bandanaz and Daichi Diaz from Alpha P also dropped by KSER 90.7 community radio in Everett for an interview on DJ Nanino’s Boombox FM later to promote their March 18th show at Studio Seven featuring Spaceman, Specs Wizard and more! Be sure to check Daichi’s new vinyl “The Fight Lullaby.”

The next panel, Hip Hop the New Face of Racism, was a community discussion, which included photographer Inye Wokoma of Ijo Arts, the conference keynote and author of How to Hustle and Win Supreme Understanding, Aisha B from Lakeside School Hip Hop Congress, Charys Bailey, Tacoma artist and youth mentor, and others.The discussion evolved to the questions, what happens when a culture becomes an industry, how does the corporate Hip Hop industry cater to white people’s perception of who Black people are, and what is the impact of that on racism and racial identity? One student spoke on how while her friends listened to conscious Hip Hop, they still had a hard time dealing with and recognizing white privilege. According to Raj, the dialogue that followed reflected personal experiences on the complexity of institutional and systemic racism and white privilege. A social worker spoke on the immense caseloads and rigorous data entry that supersedes effective service provision, a doctor spoke on the lack of people of color amongst his colleagues, a mentor spoke on how policies in youth detention centers interfere with young people’s ability to talk and internalize their experiences. Others spoke about the subtly of racism in Seattle, and the difficulty of addressing it without being labeled as an ‘anger black person.’ Supreme Understanding brought up the need to give people strategic tools and to make solutions concrete so they have practical applications in combating racism.

Rajnii also did his best to help me piece together a quick summary of the next panel, From the Hood to the Club, Violence in Hip Hop. This presentation featured Kun Luv, Omari Tahir-Garrett, Supreme Understanding, Gregory Lewis, Merciful, and Ted Evans and was moderated by Wyking. When Raj came in, Merciful was asserting the importance of addressing the root causes of youth violence, and illustrating the role police play in criminalizing and antagonizing Black youth through militarizing communities. He also spoke on young people acting out on that misplaced aggression, and how that contributes to the overall environment of the neighborhood by having communities turn in on each other. Kun Luv took issue with the claim, saying that most of the violence taking place in Seattle now comes from someone having a beef with someone specific. Kun’s basic premise was that the intentional, premeditated nature of the crimes makes youth violence not a political issue in Seattle. Omari, an unsung hero in Seattle Human Rights and Black history, smashed on this by stating, “There’s nothing going on that’s not coerced and endorsed by the state.” Tahir-Garrett grounded his assertion in his own family history and his experiences as a community organizer and activist in Seattle, which provides him a uniquely thorough understanding of public policy as offensive strategy to quash social movement. “National Security Council 46 is the new Cointelpro,” Omari said, cross-referencing the Obama adminstration’s recent restructure of the National Security Council with the Carter-administration memorandum to the Secretary of Defense and CIA on “Black Africa and the U.S. Black Movement.” Understanding the reference may be especially pertinent since the Obama administration has picked up a surprising number of our region’s slimy political leadership. Do some research. I spent 3 hours on some google ish myself after Raj gave me that quote.

"Women In Hip-Hop was a power packed panel with lively discussion facilitated by Rahwa of Hidmo," wrote Wyking, "The panel featured artist/educators/organizers Toni Hill, Khmet, Moni Tep, Monika Matthews Exective Director of the Nia Center and Life Enrichment Group, student Caela Palmer and fashion mainstay FirstLady Beunique of Presidential Clothing
and Beunique Agency." Toni Hill told me, “The speakers on the women and hip hop panel were insightful, engaging and honest. The gift of performance that was shared before the discussion set the tone for an enriching experience and the audience participation. It was an honor to be seated in the mists of Queens and princesses. I was particularly impressed with Youth representation especially Moni Tep. She is a talented, articulate and courageous youth with infinite potential. She was an inspiration and breath of fresh air. I have spoken on numerous panels across the country, sometimes leaving with unsettling feeling that the youth voices were not properly acknowledged or that they(youth) had not absorbed the information presented by the elders because they are tired of many of the adults talking at them as opposed to with them. Rahwa did a great job moderating and I would be proud to be apart of future endeavors with this cast of brightly shining stars." Be sure to check out Toni Hill's record release party for her new album "Only Love" March 13th at Chop Suey!

There were many more panels and workshops, so again, check Wyking's write up on the event, and get ready for this summer. This year is gonna be a good one.

Monday, February 23, 2009

A Day in the Life of Hip Hop Congress West Coast: 4 States, 2 Capitols, 1 Movement

FOR IMMEDIATE RELEASE:

A Day in the Life of Hip Hop Congress West Coast: 4 States 1 Day
www.hiphopcongress.com

Brandon Green, National Contact, HHC Chief Technology Officer
(702) 606-3068 prolyphek@aol.com
DLabrie, California Contact, HHC National Outreach Coordinator
(501) 798-9610 dlabrozia2009@gmail.com
Julie Chang Schulman, Northwest Contact, HHC Northwest Regional Coordinator
(425) 223-7787 juliec@hiphopcongress.com

February 23rd, 2009

This week was a historical one for Hip Hop. Fresh off the very successful 5th Annual Hip Hop Congress Midwest Summit, which featured Little Brother at The University of Michigan Feb 6-7, and the tremendously attended 206 Zulu 5th Anniversary and Hip Hop Film Festival in Seattle, Hip Hop Congress (HHC) presented "A Day in the Life of HHC West Coast" with cultural and political activity in four states in one day including Washington, California, Oregon, and Nevada. Hip Hop Congress is confronting problems and creating solutions all while communicating in real time via blogs, email, text message and social networking sites. This is the 1st of many HHC online campaigns to come.

Early in the AM, HHC was active in the Oscar Grant rally which took place at the California Capitol Building in Sacramento which was organized as a 5 city bus caravan and included participants from various Norcal cities including Oakland, San Franciso, Richmond, East Palo Alto, and Stockton, CA. Some of the buses were sponsored by San Francisco Businessman/Rapper, JT The Bigga Figga as well as others. The Oscar Grant rally was supported by, UC Davis HHC College Chapter, Sacramento HHC Community Chapter, with members Wes Kuruhara (Chapter Head of Sacramento HHC Chapter and co-founder of San Jose State HHC College Chapter) , Sacramento Rap Crew Righteous Movement, Wyzdom of Verbal Venom & Sac Promoter Lord Vex also Gold Toes of Thizz Entertainment, Rudy Fleetwood rapper/author/ president of The United Players, Ministers Chris Muhammad and Keith Muhammad from the NOI, youth from the Muhammad University of Islam. Extended list of attendees will be available on our website. Information was coordinated by President of RonDavoux Records/National Outreach Director of HHC, DLabrie, whose album; "MR. NETW3RK" is due for release in 2009. “I asked various activists what can HHC do to help the cause without reinventing the wheel. The response I got was to help spread information to the streets, in the hood, at the colleges, and to youth through art and events. This is our strong point. We are planning a series of music compilations to inform the community about the Oscar Grant murder and speak out against Police Brutality through the voices of artists from all over the world,” says DLabrie

12 hours North, in Seattle, Washington, M1 of the legendary political rap group dead prez, who recently became the Education Coordinator for HHC along with Midwest Hip Hop Icon One Be Lo were picked up by sponsors (www.driverforhire.biz). The caravan stopped through for a tour of the Umoja P.E.A.C.E. Center (UPC) which is being developed as a community-owned Hip Hop youth center in Seattle’s Central District (CD). They were welcomed by Unite for Youth Coalition members, Seattle Rap Crew Alpha P/206 Zulu members Asun, Jerm, and Julie C, Basement TV’s Jamil and DJ Kuhnex, mother and daughter media team Maria and Imani Kang, poet Geneiva Arunga of the UPC Seattle Hip-Hop Youth Council and UPC co-founders Wyking Allah, Savior Knowledge, and Omari Tahir. Seattle youth violence is reaching critical levels, police presence is historically at its highest, public housing is being torn down, the district is shutting down schools, and money to tackle the problems are being put in the hands of poverty pimps. UPC and its vision are critical to the community reclaiming power and reasserting self-determination. “It’s good to see a center by us for us right in the hood, it’s a lot of potential in this. I’m excited to see it develop. It shows solidarity amongst many individuals and organization out here on the west, I want to take this energy back home and on the road,” stated One Be Lo. For more information on how to support UPC visit www.umojafestpeacecenter.com.


The collective then traveled to Olympia, Washington, where in 2008, Dead Prez Valentine’s Day concert attendees left a police car overturned and riot squad dispatch. One year later, M-1 was welcomed back to the Evergreen State College for a lecture and dialogue with the campus community. Tremendous efforts were made on the part of Evergreen HHC leaders and others to make this event happen. He opened his speech talking about the role of slavery in America’s system of capitalism, the country’s policy of population control, and how his personal history of community work in St. Petersberg, Florida and New York informed his understanding of activism and organizing. Turning to the role of Hip Hop in movement work, he broke down the difference between uprisings and rebellions, and emphasized that, “Revolution is an art and science. We have to be perfect.” He wrapped up the lecture by stating, “I’ve organized amongst my fellow Afrikans, the white left, we all have a place on this field, all have a role to play. Our objective is to raise the interest and agenda of the working class. Use what you have to do it. In moving forward, that’s why I’ve accepted being national spokesperson for Hip Hop Congress, to support local voices. I want to help build a social tool we can use as a weapon to defend our people’s rights.” A full write-up on the lecture and Q & A can be found on our website.

To end the days Northwest activity, HHC members traveled with One Be Lo to Portland for his performance at Berbatis Pan and linked with Vocalist/Emcee/Poet, Toni Hill of the popular group Siren’s Echo, whose new album “Only Love” will be released March 13th, and HHC Artist/founder of Global Fam, Portland HHC Community Chapter Head Mic Crenshaw who recently released his album "Thinking Out Loud.” The following day, Crenshaw hosted an HHC meeting at his home to talk about current struggles, strategies, challenges, next steps, and planning for the upcoming 2009 Hip Hop Congress National Conference. “It’s critical that we keep the momentum going,” says HHC Northwest Regional Coordinator Julie C, “Now we got the campus, the real community activists, the Hip Hop educators, Universal Zulu Nation, and an incredible network of individuals, artists, and collectives on the ground. Consistent connection, communication, and coordination is all we need to make history and some real changes this summer.” You can catch Julie C’s music in the new “Knox Family E.P” from B-Girl Media.

All of this and more was covered in real time via myspace, twitter, facebook, text and email. We invited all to participate and join us in celebrating our collective power and vision by taking a stand for our community and our families, and celebrating the art and artists that bring us together. The process of keeping things organized and connected online was headed by Pro-Dash: Filmmaker, Emcee, Producer and Creator of HHC TV on you tube. Pro-Dash is currently involved with the Stop The F Street Closure Coalition. “They are creating walls between the hood and the new project which will attract tourist but keep us Vegas natives out,” states Pro-Dash. While updating HHC online info Pro-Dash spent Thursday drafting a letter to National community organizations calling for support for an organized “National Demonstration March and Sit In” on the Las Vegas Strip. The march is scheduled for April 18, 2009, which is also the weekend of the National Broadcasters Association Convention. “We feel it’s important for the West Las Vegas community and oppressed communities across the globe to stand up and be heard for economic and social justice” says Pro Dash whose song “Fresh up out the West” tackles issues in West Las Vegas.

Hip Hop Congress is a 501(c)3 Non-Profit whose mission is provide the tools, resources, and opportunities for the Hip Hop Generation to make an impact on our collective communities. Our 8th National Conference will be held in Seattle, Washington from July 29th to August 1st at the University of Washington. The theme of the conference is "This is Our Time". There will be no panels. We have partnered with Dope Emporium, Seattle's Only Hip Hop Festival, Umojafest (Seattle’s longest running African American heritage festival), Universal Zulu Nation, The Poor People’s Economic Human Rights Campaign, Iron Fist Records, Hidmo, B-Girl Media, the Seattle Youth Council, Rock Rap Entertainment, the Coalition to Protect Public Housing, Rapsessions, the Mississippi Artists and Producers Coalition, Culture Shock Camp, Umojafest P.E.A.C.E. Center, Seattle Hip Hop Youth Council, Block Teamsters Union and others to bring a conference that is about creating, and supporting leadership as well as holding leadership accountable and being accountable to ourselves. We invite ALL our chapters, artists, partners, friends and all community members to attend this historical event.

"We believe that the youth have questions that we need to answer, that artists have struggles and deserve our support, and that the community can resolve its own problems better than today's politicians and law enforcement officials acknowledge. It is time to stop talking and start doing." stated by San Jose Emcee & Co-Founder and President of Hip Hop Congress - Shamako Noble